Tips for Mixing Darks and Shadow Colors
A few tips for mixing darks and shadow colors in watercolor, including shadows on yellow and red objects.
A few tips for mixing darks and shadow colors in watercolor, including shadows on yellow and red objects.
In this video, I demonstrate an alternate method for softening edges in watercolor, using a sponge instead of a brush.
An easy tip for mixing lively, interesting and natural-looking browns, tans, skin tones, fur, feathers, etc.
Tips for planning a manageable painting/postcard and coping with a complex subject when sketching on location.
A watercolor postcard of lighted Christmas trees at night on a snowy slope.
once you start painting quarter-sheet or larger, or getting the paper really saturated, stretching your paper makes your life sooooo much easier! This video shows my preferred method, stretching on the same stretcher bars used for canvas, and an alternate method for those who have difficulty operating a staple gun.
Three methods for transferring a drawing to watercolor paper: using self-made graphite transfer, graphite transfer paper and clear acetate.
A simple method for eliminating and controlling mold on your watercolor palette.
Color-mixing is often discussed as if the only consideration is getting “the right color”, but watercolor pigments each have their own physical and chemical properties. This video presents some activities to help you develop a more sophisticated understanding of color-mixing so you become better at choosing and mixing pigments to create the artistic effects—including perceived color—you desire.
Negative painting requires us to find shapes that are “not things”. Our brains resist! In this demo, I’ll show you a few strategies you can use to help yourself make that mental shift!
Sketchbook Pro is a great tool for quickly planning changes to a painting in progress, and it’s free. This video introduces the small set of features I use in my planning process, so you can get started quickly without having to go through a lot of features you don’t need.
Getting light color values in watercolor works a little differently than in other mediums, since watercolor is transparent. In watercolor, we rely on the white color of the paper to give us our lighter values, meaning that a watercolorist’s main options are reserving or recovering whites. This article lists some of the strategies you can use to reserve and recover whites and light values.
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