Planning a watercolor, part 6: Bringing in other media to create a successful painting

In the last article in this series, we talked about why certain subjects are just inherently difficult in transparent watercolor. For example, if you were going to paint a scene like the one in the photo below, it would be a challenge to handle the broken, raggedy edge between the bright yellow of the leaves and the bright blue of the sky. It’s a challenge to paint all the little bits of yellow leaves in the sky and the little bits of blue sky-holes in the tree canopies without accidentally having the blue and yellow mingle or overlap and create greens that you don’t want along the edge.

Photo credit: Meg MacDonald on UnSplash.

Dragonfly Kathy LeVeck shared her solution

If you’re careful to lay your sky wash so that the blue fades away at the top of the tree canopy, and make a wise choice of pigments to use, you might be able to pull it off, as in this serene painting of a golden fall tree shared by Dragonfly Kathy LeVeck (appplause, please!!!):

Kathy says, “The sky looks a bit darker in person and I painted the tree over the blue.  Winsor blue red shade works well if you gradate it out quite pale towards the tree crown keep the crown one shape with broken edges.  You can deepen the blue in other places in the sky. I could successfully go over the pale sky parts with yellows.  I never could do this with Winsor blue green shade.”

Another possible solution: other media

For those of us with a somewhat less deft touch with washes, another possibility might be to bring in some other media to help deal with that edge.

A great question on another challenging situation in watercolor . . .

Dragonfly Abha Rajan sent in a great question for the next article in this series. It turns out it isn’t another example of the same challenge we’ve been discussing. It’s a different challenge that also shows up in a lot of paintings: creating a sense of depth or shadow on yellow, orange and pink objects (comes up a lot with flowers). 

I’m going to take it up as the topic of the next article in this series (in two weeks). 

Here’s what Abha had to say about this challenge: 

“I am confused about transparent yellows. I am attaching a photo of a rose I was trying to paint. I got it from Pixabay and it is free to use. (photo credit:üte-rosenknospe-2481043/)

“I am also attaching what I made. It is postcard sized. If you do decide to discuss this topic, please feel free to use my painting if you want to. 

“My problem is that my painting looks flat. I was advised to reserve more whites.. but the photo doesn’t really have any whites.. Another suggestion I got was that maybe the yellow I was using was too opaque.. and, when I checked, it turned out to be the case. I was using Cadmium yellow pale and Cadmium yellow deep. The red I used also has a high opacity rating. I went and bought yellow colors with a higher transparency rating and I did several tests to compare. I haven’t attempted the rose again, but the washes of the similar colors look very similar, as do the oranges when I mix in red. I tried painting over dried black paint, but I can’t really tell the difference. 

“My thinking is that the problem is that I put in too many layers on the petals. And maybe that’s just not such a good idea with such a light color..? Or maybe it’s just not such a great picture for watercolor?” 

Photo credit:üte-rosenknospe-2481043/

Stay tuned for an article and video on this challenging situation in two weeks.

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