Planning Your Own Watercolors

Generating and refining a concept for a painting, tools and strategies for design, planning and evaluating work-in-progress.

Explore and Inspire Yourself with Word Clouds
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Explore and Inspire Yourself with Word Clouds

Have you ever noticed the cluster of words that sit in the sidebar of some websites, some of them bigger, some smaller, sometimes in multiple colors? Bloggers often “tag” articles with keywords to help readers search for topics of interest. The bigger the word in this “tag cloud”, the more often the author has used…

Plein Air Painting for Everyone
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Plein Air Painting for Everyone

For those who aren’t familiar with the phrase, painting en plein air is just a fancy way of referring to painting on location, usually outdoors. It’s a challenge! In addition to all the usual problems a painter has to solve (composition, color mixing, brush handling, etc.), there is the constantly changing light, the sun, rain and wind,…

Be a (Mindful) Tourist in Your Own Town
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Be a (Mindful) Tourist in Your Own Town

A great way to practice mindfulness and open your eyes to the world you live in every day is to play “tourist” in your own town.  Often artists keep sketchbooks not so much to accumulate sketches as to provide a way to focus their attention on the overlooked interest and beauty in their everyday lives….

Dealing with Problem Paintings, Part 2:  The Hyperactive Overachiever
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Dealing with Problem Paintings, Part 2: The Hyperactive Overachiever

In the last post, I gave some ideas for dealing with a “too boring for words” problem painting.  The one you were never excited about in the first place. Our “problem child” this time is the opposite of boring, it’s trying to do too much. When I’m running into trouble with one of my own…

Dealing with “Problem Paintings”—Part 1: Too Boring for Words
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Dealing with “Problem Paintings”—Part 1: Too Boring for Words

If you’ve painted in watercolor for more than a day or so, I know you’ve been here: after hours of hard work, you’re struggling with a blotchy, overworked section that you know isn’t going to be right, no matter how much more effort you put into it. It’s tempting to conclude that you just don’t have what it takes . . . maybe it’s time to take up something easier to master, say, golf.

How do you deal with “problem paintings” like this? (click the picture to read more)