No more teeny timid lonely blossoms floating in a mishmash of streaky, muddy color. In honor of Mother’s Day, let’s take a look at some tips for creating bold, lively florals in watercolor. We’ll talk about design tricks that help you handle out-of-focus, wet-in-wet backgrounds, tips for using a variety of types of edges to suggest depth and give the illusion of petal and foliage textures and how to create a sense of light falling on or glowing through leaves and petals.
Yesterday, 12 intrepid sketchers from the Watercolor Minimalist class at Wet Paint descended on Como Conservatory determined to learn some tips and tricks for sketching on location in a short amount of time and with minimal stuff. It was a gorgeous day, there were beautiful subjects all around us, restrooms and cafe nearby, and not…
Several different options for light, packable watercolor sketching kits, and a few tips for selecting a manageable subject from the sometimes overwhelming wealth of options when working on location.
Who is that mysterious woman peering out of the headline of this week’s post? Read to the end to find out—she has a little magical treat for you! In this week’s post, I invite you to try your hand at cartooning. Wait! Keep reading! I promise anyone can do this kind of cartooning! This activity…
Getting light color values in watercolor works a little differently than in other mediums, since watercolor is transparent. In watercolor, we rely on the white color of the paper to give us our lighter values, meaning that a watercolorist’s main options are reserving or recovering whites. This article lists some of the strategies you can use to reserve and recover whites and light values.
Which brushes do you really need? What sizes? Synthetic or natural bristles? Is Kolinsky sable really worth the expense? I’ll answer questions like these, demonstrate different types of brushes and explain pros and cons, and share which brushes are my “go-to” brushes now and why I chose them.