Gather your materials and test your setup indoors now to be ready for plein air sketching when nice weather arrives. In this demo, I’ll show you several different options for light, packable watercolor sketching kits, and give you a few tips for selecting a manageable subject from the sometimes overwhelming wealth of options when working on location.
I’ve heard the lament from quite a number of you: you bought a lovely journal, and you think the activities I’ve been posting look really fun and interesting, but you are too busy to journal right now. Maybe later, when life calms down a bit . . . I feel your pain! I don’t know about…
Some tips for creating bold, lively florals in watercolor.
I’m welcoming some new watercolor painters to the medium, so there have been some requests for information about caring for watercolor brushes. (Even if you know all this, you might want to skip down to item 9. In the third paragraph, there are two links to videos about how brushes are made. The first is…
For those who aren’t familiar with the phrase, painting en plein air is just a fancy way of referring to painting on location, usually outdoors. It’s a challenge! In addition to all the usual problems a painter has to solve (composition, color mixing, brush handling, etc.), there is the constantly changing light, the sun, rain and wind,…
A lot of people have asked me to talk about what brands of paint I use (most of them!) and what colors I have on my palette (way too many!). I’m always at a loss, because I am constantly playing around with the colors on my palette. I’m just as much of a sucker for a cool new color as the next person. Isn’t that just part of the fun of watercolor? 😉 But it’s time to take a stab at answering the REAL question, How can you decide which colors to have on your palette?”
I demonstrate some of my favorite mixtures for grey, including a secret for mixing greys to create a sense of warm light glowing behind the edges of clouds.
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