How I Use Autodesk Sketchbook to Plan Changes to Paintings

Sketchbook Pro is a great tool for quickly planning changes to a painting in progress, and it's free. This video introduces the small set of features I use in my planning process, so you can get started quickly without having to go through a lot of features you don't need.

Sketchbook Pro is a great tool for quickly planning changes to a painting in progress, and it’s free. 🙂

The full version (with no ads) is available free for Windows, Mac, iOS and Android (type “Sketchbook Pro” into the search box for your app store).

It can be a bit overwhelming to get started, but luckily for us, you only need a handful of features to use it as a time-saving planning tool. This video introduces the small set of features I use in my planning process, so you can get started quickly without having to go through a lot of features you don’t need.

You can skip directly to the section that applies to the device you plan to use. I am demonstrating in the Mac/iOS environment, but there are only very minor differences in the Windows/Android environment, so you should be able to follow along regardless of the device you are using.

  • 0:00 Introduction
  • 2:42 Desktop Version
  • 25:22 Tablet Version
  • 42:32 Phone Version

NOTE: This is just about everything I know about Sketchbook Pro! Please don’t ask me questions about other features; I probably won’t know the answers! Autodesk (the developer of Sketchbook Pro) has links to many tutorials on this page, if you need more info or want to explore further: https://knowledge.autodesk.com/support/sketchbook-products/learn-explore/caas/CloudHelp/cloudhelp/ENU/SKETPRO-Help/files/sb-troubleshooting/SKETPRO-Help-sb-troubleshooting-finding-sketchbook-tutorials-html-html.html

You may also like . . . 

Lessons from Life on Planning Watercolors

Lessons from Life on Planning Watercolors

Planning an entire meal involves more than just knowing cooking techniques. Chances are, you’re all quite familiar with this sort of planning, so let’s see how it connects with planning watercolors.

read more
The “Other How-To”

The “Other How-To”

Like most people, I did some rapid “pivoting” (otherwise known as “flailing”) during 2020. It’s time for me to get back to the core mission of my teaching: to help you be more successful using watercolor as an artist, that is, to use watercolor to explore your own thoughts, ideas and emotions, record your responses to the world, share your experiences with others, or express something personally meaningful. That means learning to plan your own paintings, but how?

read more
It’s Not All About Hue – Imposters and Chameleons

It’s Not All About Hue – Imposters and Chameleons

Color-mixing is often discussed as if the only consideration is getting “the right color”, but watercolor pigments each have their own physical and chemical properties. This video presents some activities to help you develop a more sophisticated understanding of color-mixing so you become better at choosing and mixing pigments to create the artistic effects—including perceived color—you desire.

read more
My Cure for Winter Blues

My Cure for Winter Blues

Wild and garish? Sure, but I can always paint over it (or parts of it) later. For now, it has the same effect on me as opening a brand-new box of 64 Crayolas. Just what I needed to get me past the “winter blues”!

read more
Why Paint?

Why Paint?

Considering why you are painting, in general or this particular painting, can help you create work with more impact and get more enjoyment and satisfaction out of the process.

read more
Studio News for 6 Dec 2020

Studio News for 6 Dec 2020

January (and part of February) classes, individual coaching opportunities, topics for upcoming Second Sundays, and some book ideas for a blast of color to counteract the gloomy winter days.

read more
Mining for Gems

Mining for Gems

When the Big Pile of Nope in your studio gets too big and discouraging, it’s time to go mining!

read more
Reserving and Recovering Light Values: Strategies to Consider

Reserving and Recovering Light Values: Strategies to Consider

Getting light color values in watercolor works a little differently than in other mediums, since watercolor is transparent. In watercolor, we rely on the white color of the paper to give us our lighter values, meaning that a watercolorist’s main options are reserving or recovering whites. This article lists some of the strategies you can use to reserve and recover whites and light values.

read more
How Can I Give Feedback on Your Work In Zoom?

How Can I Give Feedback on Your Work In Zoom?

Are you wondering how I can see your work and give you feedback in Zoom? I’ve been doing watercolor coaching via Zoom for almost two years now—I’ve got a system! Here’s a short video to show you how it works.

read more